首页> 外文期刊>American Sociological Review >Classification as Culture: Types and Trajectories of Music Genres
【24h】

Classification as Culture: Types and Trajectories of Music Genres

机译:文化分类:音乐流派的类型和轨迹

获取原文
获取原文并翻译 | 示例
       

摘要

Questions of symbolic classification have been central to sociology since its earliest days, given the relevance of distinctions for both affiliation and conflict. Music and its genres are no exception, organizing people and songs within a system of symbolic classification. Numerous studies chronicle the history of specific genres of music, but none document recurrent processes of development and change across musics. In this article, we analyze 60 musics in the United States, delineating between 12 social, organizational, and symbolic attributes. We find four distinct genre types-Avant-garde, Scene-based, Industry-based, and Traditionalist. We also find that these genre types combine to form three distinct trajectories. Two-thirds originate in an Avant-garde genre, and the rest originate as a scene or, to our surprise, in an Industry-based genre. We conclude by discussing a number of questions raised by our findings, including the implications for understanding symbolic classification in fields other than music. [PUBLICATION ABSTRACT]
机译:考虑到区分隶属关系和冲突的相关性,符号分类的问题自最早以来就一直是社会学的中心问题。音乐及其流派也不例外,它们在符号分类系统内组织人和歌曲。许多研究记述了特定音乐流派的历史,但没有文献记载了整个音乐发展和变化的反复过程。在本文中,我们分析了60种美国音乐,在12种社会,组织和象征属性之间进行了界定。我们发现了四种不同的流派类型-前卫,基于场景,基于行业和传统主义。我们还发现,这些体裁类型组合形成了三个不同的轨迹。三分之二起源于前卫类型,其余三分之一是场景或基于行业的类型。最后,我们讨论了我们的发现提出的许多问题,包括理解音乐以外的领域中的符号分类的含义。 [出版物摘要]

著录项

  • 来源
    《American Sociological Review》 |2008年第5期|p.697-718|共22页
  • 作者单位

    Jennifer C. LenaVanderbilt UniversityRichard A. PetersonVanderbilt UniversityDirect correspondence to Jennifer C. Lena, Department of Sociology, Vanderbilt University, VU Station B #351811, 2301 Vanderbilt Place, Nashville, TN 37235-1811 (Jennifer.c.lena@vanderbilt.edu). The authors wish to thank N. Anand, Shyon Baumann, Howard S. Becker, Andy Bennett, Daniel Cornfield, Paul DiMaggio, Robert Faulkner, Simon Frith, David Grazian, Michael Hughes, Larry Isaac, Pierre Kremp, Steve Lee, Claire Peterson, Motti Regev, Gabriel Rossman, Bill Roy, Ken Spring, Tammy Smith, Jason Toynbee, Mayer N. ZaId, and Ezra Zuckerman for their assistance on drafts of this work. We are sorry that we cannot recognize by name the anonymous ASR reviewers who provided extremely helpful comments.Jennifer C. Lena is an Assistant Professor at Vanderbilt University. She does not have a "favorite rapper."Richard A. Peterson is Emeritus Professor of Sociology at Vanderbilt University. He has most recently co-edited an issue of Continuum on music scenes in Australia. His current work focuses on the formation of creative communities, the withering of bureaucracy in competitive organizational fields, 1968 to 2008, and the periodicity of music-genre formation. He is trying to practice omnivorousness rather than profess it as he works, without great success, to retire.,;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号