ITALY

摘要

The curator, Italian architect Cino Zucchi, describes his country's relationship with Modernism over the last century as a process of 'grafting' modernity into an 'existing layered urbanity'. Organised as disparate chapters, the exhibition is a more nuanced operetta than Rem Koolhaas's theme suggests. Though lacking a clear hierarchy, the intelligent analysis and poetic connections between works spanning centuries made for a rich, immersive and constantly surprising experience.