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Designing for the moment

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The perpetual renewal of Japan's built environment is its defining characteristic. Destruction, whether by man-made or natural disaster, seems ingrained in the national consciousness. Japanese cities have endured successive waves of reconstruction - after earthquakes and tsunamis, after catastrophic Arcs, after bombing raids - which have, in turn, shaped urban morphologies. Again and again, the nation has rebuilt itself with speed and determination. At the tail end of the Second World War, on 10 March 1945, Tokyo woke up in ashes and the Japanese government called for urgent housing solutions. Combining prefabricated structural components with traditional elements, such as shoji screens and modular tatami mats, the hybrid solutions proposed by Kunio Maekawa and Kiyoshi Ikebe were minimal and compact. If units were under 50m2, residents were eligible to receive a loan from the housing corporation. In similar circumstances, European architects might have opted to develop large-scale housing, yet tellingly, their Japanese counterparts sought to apply rational building methods to the single family house.
机译:日本建筑环境的不断更新是其标志性特征。无论是由于人为还是自然灾害造成的破坏,在民族意识中根深蒂固。日本城市经历了连续的重建浪潮-在地震和海啸之后,在灾难性的弧线之后,在轰炸突袭之后-依次改变了城市形态。该国一次又一次地以坚定的决心重建自己。 1945年3月10日,第二次世界大战结束时,东京一片灰烬,日本政府呼吁紧急解决住房问题。将预制的结构部件与传统元素(例如障子屏风和模块化榻榻米)相结合,前川国雄和池边清提出的混合解决方案最小且紧凑。如果单位面积不超过50平方米,则居民有资格从房屋公司获得贷款。在类似的情况下,欧洲建筑师可能会选择开发大型住房,但可以说的是,他们的日本同行试图对单户住宅采用合理的建筑方法。

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  • 来源
    《The Architectural Review》 |2017年第1443期|98-101|共4页
  • 作者

    Manon Mollard;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 00:23:10

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