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THE SPACE OF PEOPLE IN COMPUTATION

机译:计算中的人的空间

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In his inaugural lecture at the University of Leipzig in 1893, art historian August Schmarsow redefined architecture as a spatial art. This represented a major break from the then dominant architectural thought; since the Renaissance, architecture had almost solely been discussed in terms of style or construction. When computation was introduced to architecture some 60 years later, its potential to provide new representations of processes and forms of occupation were quickly understood, as presented by Christopher Alexander, as a theoretical framework to systemic design processes, or Archigram's speculations on new spatial types. Alas, its more obvious powers to crunch big data, optimise explicit parametric problems and accelerate existing procedures have sidelined most developments that attempt to deal with new representations of space and use. Major contractors such as developers or public planning bodies reinforce this trend by demanding building information modelling (BIM) as standard (reducing the choice of tools to generally two software providers), while parametricism is nowadays perceived as state-of-the-art computation. Both serve the purpose of automating traditional professional deliverables.
机译:艺术史学家奥古斯特·施马索(August Schmarsow)在1893年在莱比锡大学举行的开幕演讲中,将建筑重新定义为空间艺术。这代表了与当时的主导建筑思想的重大突破;自文艺复兴时期以来,几乎完全只在风格或建筑方面讨论建筑。大约60年后,当计算技术引入建筑时,正如克里斯托弗·亚历山大(Christopher Alexander)提出的那样,作为系统设计过程的理论框架或Archigram对新空间类型的推测,人们很快就认识到了其提供过程和占领形式的新表示的潜力。遗憾的是,它处理大数据,优化显式参数问题和加速现有程序的更明显的能力使大多数试图处理空间和使用的新表示形式的开发都处于边缘状态。主要承包商,例如开发商或公共规划机构,通过要求将建筑信息模型(BIM)作为标准(减少了通常由两个软件提供商使用的工具的选择),进一步强化了这一趋势,而如今,参数化被认为是最先进的计算。两者都旨在实现传统专业交付物自动化的目的。

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