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Note, Who Controls the Dance: Copyright in the World of Choreography

机译:注意,谁控制了舞蹈:编舞界的版权

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摘要

This Note discusses United States copyright law and its connection to the dance world. Choreographic works were officially recognized as an artistic form protected by copyright with the passage of the Copyright Act of 1976. However, many of the terms of copyright protection do not perfectly align with the ephemeral and physical nature of dance and the customs of the dance community. The Note presents several of these discrepancies, focusing on the issue of fixation and how a separate artistic work is created when the dance is fixed in legal terms. Therefore, it is suggested that, when possible, comparisons to other art forms should be used but it should also be recognized that dance does not fit perfectly within copyright terms and some adjustments must be made, such as clearer protection for all the creators, including the fixators.
机译:本说明讨论了美国版权法及其与舞蹈界的联系。 1976年《版权法》的通过,舞蹈作品被正式确认为一种受版权保护的艺术形式。但是,许多版权保护条款并不完全符合舞蹈的短暂性和自然性以及舞蹈社区的习俗。注释说明了这些差异中的几个差异,重点是注视的问题以及以法律术语固定舞蹈时如何创建单独的艺术作品。因此,建议在可能的情况下,应与其他艺术形式进行比较,但也应认识到,舞蹈并不完全符合版权条款,必须进行一些调整,例如对所有创作者,包括固定器。

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  • 来源
    《AIPLA quarterly journal》 |2018年第4期|607-608|共2页
  • 作者

    Mitchell Gabrial;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 04:13:34

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