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French genocide in Algeria: the role of memory in artistic representation of colonial violence in the novel, The Seine was Red (1999)

机译:法国在阿尔及利亚的种族灭绝:记忆在小说《塞纳河是红色的》(1999)中对殖民暴力艺术表现的作用

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The aim of this article is to explore the role of the novel, The Seine was Red, in surfacing memories that reconstruct French genocide in Algeria. The article uses Leila Sebbar's novel, The Seine was Red, to demonstrate that immigrant communities in France in 1961 experienced violence from French police, and that this violence allows the author to manifest the layers of narratives of genocide in Algeria. The Seine was Red complicates the notion of genocide by also showing that during the struggle for independence in Algeria, some Algerian nationalists committed mass murder on other Algerians. An essential part of the Algerian population that suffered from different forms of violence was the Algerian women; they were silenced under an Algerian patriarchal system, endured rape and physical molestation from the French during colonialism. This article concludes by revealing that memories of violence so constructed by female characters in the novel also provided the reason for the mobilisation of Algerian women to struggle first, against French colonialism in Algeria, second, against Algerian patriarchy during the nationalist struggle and, third, against the brutality of the French police in France in 1961. This gendered narrative suggests that Algerian women's memories of genocide confirm as well as challenge the genocide narrative constructed by Algerian men and the narrative of civilisation popularised by the French.View full textDownload full textKeywordsFrench genocide, Algerian 1961, nationalist struggle, immigrant communitiesRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14725843.2012.715452
机译:本文的目的是探讨小说《塞纳河是红色的》在重建阿尔及利亚法国大屠杀的记忆中的作用。这篇文章使用了莱拉·塞巴(Leila Sebbar)的小说《塞纳河是红色的》来证明1961年法国的移民社区遭受了法国警察的暴力,而且这种暴力使作者能够在阿尔及利亚表现出种族灭绝的叙述。塞纳河为红色使种族灭绝的概念复杂化,还表明在阿尔及利亚争取独立的斗争中,一些阿尔及利亚民族主义者对其他阿尔及利亚人实施了大规模杀害。遭受各种形式暴力侵害的阿尔及利亚人口的重要组成部分是阿尔及利亚妇女。他们在阿尔及利亚的父权制下保持沉默,在殖民主义时期遭受了法国人的强奸和and亵。本文的结论是,小说中女性角色如此构成的暴力记忆也为动员阿尔及利亚妇女争取抗争,反对法国在阿尔及利亚的殖民主义,其次在民族主义斗争中与阿尔及利亚父权制斗争以及第三,反对1961年法国警察在法国的残暴行径。这种性别观点表明阿尔及利亚妇女对种族灭绝的记忆证实并挑战了阿尔及利亚男人建造的种族灭绝叙事和法国人普及的文明叙事。查看全文下载全文关键字法国种族灭绝,阿尔及利亚1961年的民族主义斗争,移民社区相关var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,service_compact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,pubid: “ ra-4dff56cd6bb1830b”}; var addthis_config = {“ data_track_addressbar”:true,“ ui_click”:true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14725843.2012.715452

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  • 来源
    《African Identities》 |2012年第3期|221-241|共21页
  • 作者

    Maurice T. Vambe;

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  • 正文语种 eng
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  • 入库时间 2022-08-17 13:14:51

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