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A Reconsideration of Rwandan Archaeological Ceramics and their Political Significance in a Post-Genocide Era

机译:种族灭绝后时代对卢旺达考古陶瓷的重新思考及其政治意义

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摘要

This paper reviews Rwandan ceramic typologies and integrates these with recent regional ones through the consideration of four new ceramic assemblages dating to three distinct phases across the past 2,000 years. In addition to providing a synthesis of ceramic approaches as a research resource, it also suggests that ceramics previously termed type C might now better be understood as a transitional form of Urewe. In so doing, it both describes how previous accounts of Rwanda's archaeological ceramics reproduced a contested ethno-racial colonial construction of Rwandan society and suggests the replacement of these with non-ethno-racial explanations of material culture change proposed elsewhere for comparable circumstances in Great Lakes Africa. Finally, as the government seeks to reintroduce secondary school history teaching using archaeological narratives, it discusses the contemporary political significance of this and other research in post-genocide Rwanda, arguing that archaeology, whether framed in technical language or not, has contemporary political reference.
机译:本文回顾了卢旺达的陶瓷类型,并通过考虑过去2000年中四个可追溯到三个不同阶段的新型陶瓷组合,将其与最近的区域类型相结合。除了提供陶瓷方法的综合作为研究资源之外,它还表明,以前被称为C型的陶瓷现在可以更好地理解为乌雷威的过渡形式。通过这样做,它既描述了卢旺达以前的考古陶瓷的描述如何重现了卢旺达社会有争议的种族-种族殖民地建设,也建议用在其他地方针对大湖地区可比情况提出的物质文化变迁的非种族-种族解释来代替。非洲。最后,当政府试图使用考古学叙事重新介绍中学历史教学时,它讨论了种族灭绝后卢旺达的这项研究和其他研究的当代政治意义,认为无论考古学是否采用技术语言,都具有当代政治意义。

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