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Innate releasing mechanisms and fixed action patterns: basic ethological concepts as drivers for neuroethological studies on acoustic communication in Orthoptera

机译:天生的释放机制和固定的动作模式:基本的行为学概念作为直翅目动物声通信神经行为学研究的驱动力

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摘要

This review addresses the history of neuroethological studies on acoustic communication in insects. One objective is to reveal how basic ethological concepts developed in the 1930s, such as innate releasing mechanisms and fixed action patterns, have influenced the experimental and theoretical approaches to studying acoustic communication systems in Orthopteran insects. The idea of innateness of behaviors has directly fostered the search for central pattern generators that govern the stridulation patterns of crickets, katydids or grasshoppers. A central question pervading 50 years of research is how the essential match between signal features and receiver characteristics has evolved and is maintained during evolution. As in other disciplines, the tight interplay between technological developments and experimental and theoretical advances becomes evident throughout this review. While early neuroethological studies focused primarily on proximate questions such as the implementation of feature detectors or central pattern generators, later the interest shifted more towards ultimate questions. Orthoptera offer the advantage that both proximate and ultimate questions can be tackled in the same system. An important advance was the transition from laboratory studies under well-defined acoustic conditions to field studies that allowed to measure costs and benefits of acoustic signaling as well as constraints on song evolution.
机译:这篇评论阐述了关于昆虫声通信的神经行为学研究的历史。一个目的是揭示1930年代发展起来的基本的行为学观念,例如天生的释放机制和固定的作用方式,如何影响研究直翅目昆虫声通信系统的实验和理论方法。行为先天性的思想直接促进了对中央模式发生器的搜寻,这些中央模式发生器控制着板球,ka节肢动物或蝗虫的str发模式。贯穿50年研究的一个中心问题是信号特征与接收器特征之间的本质匹配如何演化并在演化过程中得以保持。与其他学科一样,在整个评论过程中,技术发展与实验和理论进步之间的紧密相互作用变得显而易见。早期的神经行为学研究主要集中在诸如功能检测器或中央模式生成器的实现等最接近的问题上,但后来人们的兴趣更多地转向了最终问题。直翅目动物的优势在于,可以在同一系统中同时解决最接近和最终的问题。一个重要的进步是,从定义明确的声学条件下的实验室研究过渡到了可以测量声学信号的成本和收益以及歌曲发展限制的现场研究。

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