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Sounding the Archival Silence: Searching for Music in the Nineteenth-Century English Asylum

机译:响亮档案的寂静:在 19 世纪英国精神病院寻找音乐

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摘要

The music of the nineteenth-century English asylum provides a rare insight into the place of music within the structure of a medical institution during this period. Yet with archives literally ‘silent’, how far can the sound and experience of music be retrieved and reconstructed? Drawing on critical archive theory and the idea of the soundscape as well as musicological and historical practice, this article questions how we can investigate asylum soundscapes through the silences of the archive, and how we can use the resulting processes to deepen our relationship with the archive and enrichen other aspects of historical and archive studies. I argue that in drawing attention to new forms of evidence in order to address the literal ‘silence’ of the nineteenth-century asylum, new approaches to metaphorical ‘silences’ can be found.
机译:19 世纪英国精神病院的音乐为这一时期音乐在医疗机构结构中的地位提供了难得的见解。然而,在档案馆字面上“无声”的情况下,音乐的声音和体验可以在多大程度上被检索和重建?借鉴批判性档案理论和声景的概念以及音乐学和历史实践,本文质疑我们如何通过档案的寂静来研究庇护所的声景,以及我们如何利用由此产生的过程来加深我们与档案的关系,并丰富历史和档案研究的其他方面。我认为,为了解决 19 世纪精神病院的字面“沉默”问题,在提请人们注意新形式的证据时,可以找到隐喻“沉默”的新方法。

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