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The Influence of Art Expertise and Training on Emotion and Preference Ratings for Representational and Abstract Artworks

机译:艺术专长和培训对代表性和抽象作品的情绪和偏好等级的影响

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摘要

Across cultures and throughout recorded history, humans have produced visual art. This raises the question of why people report such an emotional response to artworks and find some works more beautiful or compelling than others. In the current study we investigated the interplay between art expertise, and emotional and preference judgments. Sixty participants (40 novices, 20 art experts) rated a set of 150 abstract artworks and portraits during two occasions: in a laboratory setting and in a museum. Before commencing their second session, half of the art novices received a brief training on stylistic and art historical aspects of abstract art and portraiture. Results showed that art experts rated the artworks higher than novices on aesthetic facets (beauty and wanting), but no group differences were observed on affective evaluations (valence and arousal). The training session made a small effect on ratings of preference compared to the non-trained group of novices. Overall, these findings are consistent with the idea that affective components of art appreciation are less driven by expertise and largely consistent across observers, while more cognitive aspects of aesthetic viewing depend on viewer characteristics such as art expertise.
机译:在各种文化和整个记录的历史中,人类产生了视觉艺术。这就提出了一个问题,即为什么人们对艺术品表示出如此的情感反应,并发现某些作品比其他作品更美丽或更引人注目。在本研究中,我们调查了艺术专长与情感和偏好判断之间的相互作用。 60个参与者(40个新手,20个艺术专家)在两种情况下(在实验室和博物馆中)对150幅抽象艺术品和肖像进行了评估。在开始第二届会议之前,一半的美术新手接受了有关抽象艺术和肖像画的风格和艺术历史方面的简短培训。结果表明,艺术专家在审美方面(美感和欲望)对艺术品的评价高于新手,但在情感评价(效价和唤醒)上没有观察到群体差异。与未经培训的新手组相比,培训课程对偏好等级的影响很小。总体而言,这些发现与以下观点一致:艺术欣赏的情感成分较少受专业知识的驱动,并且在观察者之间基本一致,而审美观的更多认知方面则取决于诸如艺术专业知识的观察者特征。

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