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Familiarity mediates the relationship between emotional arousal and pleasure during music listening

机译:熟悉会介导音乐聆听过程中情绪唤醒与愉悦之间的关系

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摘要

Emotional arousal appears to be a major contributing factor to the pleasure that listeners experience in response to music. Accordingly, a strong positive correlation between self-reported pleasure and electrodermal activity (EDA), an objective indicator of emotional arousal, has been demonstrated when individuals listen to familiar music. However, it is not yet known to what extent familiarity contributes to this relationship. In particular, as listening to familiar music involves expectations and predictions over time based on veridical knowledge of the piece, it could be that such memory factors plays a major role. Here, we tested such a contribution by using musical stimuli entirely unfamiliar to listeners. In a second experiment we repeated the novel music to experimentally establish a sense of familiarity. We aimed to determine whether (1) pleasure and emotional arousal would continue to correlate when listeners have no explicit knowledge of how the tones will unfold, and (2) whether this could be enhanced by experimentally-induced familiarity. In the first experiment, we presented 33 listeners with 70 unfamiliar musical excerpts in two sessions. There was no relationship between the degree of experienced pleasure and emotional arousal as measured by EDA. In the second experiment, 7 participants listened to 35 unfamiliar excerpts over two sessions separated by 30 min. Repeated exposure significantly increased EDA, even though individuals did not explicitly recall having heard all the pieces before. Furthermore, increases in self-reported familiarity significantly enhanced experienced pleasure and there was a general, though not significant, increase in EDA. These results suggest that some level of expectation and predictability mediated by prior exposure to a given piece of music play an important role in the experience of emotional arousal in response to music.
机译:情绪唤醒似乎是听众对音乐的愉悦体验的主要因素。因此,当个人听熟悉的音乐时,已证明自我报告的愉悦感与皮肤电活动(EDA)之间的强正相关关系,EDA是情绪唤起的客观指标。但是,还不知道熟悉程度在多大程度上有助于这种关系。尤其是,由于聆听熟悉的音乐会涉及到对乐曲的实际了解,因此随着时间的流逝,人们对音乐的期望和预测也随之增加,这可能是因为这些记忆因素起着重要的作用。在这里,我们通过使用听众完全不熟悉的音乐刺激来测试这种贡献。在第二个实验中,我们重复了新颖的音乐,以实验方式建立一种熟悉感。我们的目标是确定(1)当听众不了解音调如何展现时,愉悦感和情绪唤醒是否会继续相关;(2)是否可以通过实验诱导的熟悉度来增强这种联系。在第一个实验中,我们分两节向33位听众介绍了70个陌生的音乐摘录。用EDA衡量,体验的愉悦程度和情绪唤醒之间没有关系。在第二个实验中,有7位参与者在30分钟内的两个会话中听了35个陌生的摘录。反复接触会大大增加EDA,即使个人没有明确记得以前听过的所有内容。此外,自我报告的熟悉程度的提高显着提高了体验的愉悦感,而EDA总体上有所提高,尽管不显着。这些结果表明,通过预先接触给定音乐而介导的某种程度的期望和可预测性在响应音乐的情感唤醒体验中起着重要作用。

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