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Sackler Colloquium on Extension of Biology Through Culture: Song hybridization events during revolutionary song change provide insights into cultural transmission in humpback whales

机译:萨克勒关于通过文化扩展生物学的座谈会:革命性歌曲改变期间的歌曲杂交事件为座头鲸的文化传播提供了见识

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摘要

Cultural processes occur in a wide variety of animal taxa, from insects to cetaceans. The songs of humpback whales are one of the most striking examples of the transmission of a cultural trait and social learning in any nonhuman animal. To understand how songs are learned, we investigate rare cases of song hybridization, where parts of an existing song are spliced with a new one, likely before an individual totally adopts the new song. Song unit sequences were extracted from over 9,300 phrases recorded during two song revolutions across the South Pacific Ocean, allowing fine-scale analysis of composition and sequencing. In hybrid songs the current and new songs were spliced together in two specific ways: (i) singers placed a single hybrid phrase, in which content from both songs were combined, between the two song types when transitioning from one to the other, and/or (ii) singers spliced complete themes from the revolutionary song into the current song. Sequence analysis indicated that both processes were governed by structural similarity rules. Hybrid phrases or theme substitutions occurred at points in the songs where both songs contained “similar sounds arranged in a similar pattern.” Songs appear to be learned as segments (themes/phrase types), akin to birdsong and human language acquisition, and these can be combined in predictable ways if the underlying structural pattern is similar. These snapshots of song change provide insights into the mechanisms underlying song learning in humpback whales, and comparative perspectives on the evolution of human language and culture.
机译:从昆虫到鲸类,各种各样的动物分类中都存在文化过程。座头鲸的歌曲是任何非人类动物中文化特质和社会学习知识传播的最杰出例子之一。为了了解歌曲的学习方式,我们调查了歌曲混合的罕见情况,在这种情况下,现有歌曲的某些部分会与新歌曲进行拼接,这可能是在个人完全采用新歌曲之前进行的。歌曲单位序列是从横跨南太平洋的两次歌曲革命中记录的9,300个短语中提取的,从而可以进行成分和顺序的精细分析。在混合歌曲中,当前和新歌曲以两种特定方式拼接在一起:(i)歌手在从一种歌曲过渡到另一种歌曲时,在两种歌曲类型之间放置了一个混合短语,其中将两首歌曲的内容组合在一起,和/或(ii)歌手将完整的主题从革命歌曲拼接到当前歌曲。序列分析表明这两个过程均受结构相似性规则支配。混合短语或主题替换发生在歌曲中的两首歌曲都包含“以相似模式排列的相似声音”的位置。歌曲似乎是作为片段(主题/短语类型)而学习的,类似于鸟鸣和人类语言习得,并且如果基本结构模式相似,则可以以可预测的方式组合这些歌曲。这些歌曲变化的快照提供了对座头鲸歌曲学习基础机制的见解,并提供了人类语言和文化发展的比较观点。

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