Discovering True Identity Interpretation of Fences Through Broad-Sensed Intertextuality

摘要

As the third play in August Wilson’s ten-play series,Fences marks a milestone for Wilson in the commercial arena and unquestionably affirms his mastery of the art of play-writing.Under the theoretical framework of Julia Kristeva’s broad-sensed intertextuality,this paper explores the intertextual features of Fences to reveal that to survive in a hostile white-dominated environment where the idea of melting pot was advocated and racial discrimination remained widespread in 1950s,African Americans must discover the value of their true self.