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文笔·译笔·画笔--钟梅音在南洋

     

摘要

作家钟梅音出生于北平,1948年随夫婿定居台湾,从事散文、小说、儿童文学写作,并主编《妇友月刊》、主持电视节目“艺文夜谈”。其游记文学《海天游踪》自1966年出版,至今至少再版17次。本文集中探讨她旅居泰国(1969年5月-1971年7月)和新加坡(1971年8月-1977年7月)时的创作、翻译和绘画艺术活动,兼及其他有关南洋的书写。研究发现:旅居南洋8年多,是钟梅音创作生涯的扩充与丰收期。在心灵上寻得宗教信仰,延续以往的生活散文写作,认同及称美南洋风土人情,笔者喻之为“吾乡主义”式的书写。她积极学习外语,继而从事翻译工作,译笔流畅典丽。幼年时萌生的绘画兴趣,在追随新加坡画家陈文希(1906-1991)学画之后,得到实践,形塑了个人中西合璧的艺术风格。%Writer Zhong Mei Yin (1922-1984)was born in Beijing, and has settled down in Taiwan with her husband since 1948. She has been writing novels and children’s literature, and she is also the editor of the Monthly Women Magazine as well as the host of television program“Yi Wen Ye Tan”. Her travel literature Hai Tian You Zong that was first published in 1966 and was reprinted at least 17 times. This paper focuses on the literary creations, translation and painting activities during the period when she stayed in Thailand(May 1969-July 1971)and Singapore(August 1971-July 1977), together with her other writings on Nanyang, to provide a more comprehensive understanding of the writer in the academics. Research results suggest that the 8 years when Zhong Mei Yin stayed in Nanyang was a period of extension and attainment in her creative career. Not only did she find a religion, she also commended and identified with the local conditions of Nanyang. She actively learned foreign languages and engaged in translation work which she has excelled in. Her interest in painting that she devel-oped since young, finally got into practice after she followed Singapore painter Chen Wen Xi, shaping her individual art style of combining the East and West forms.

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