探索风景审美的范畴和原理，是风景美学研究的基础性工作。以风景体验的构成和演进机制为研究对象，做出如下限定：风景欣赏是由相互协调的诗性经验和理性经验共同组成的体验，其中诗性经验是第一位的，理性经验是第二位的。在此基础上，探讨了诗性经验和理性经验在构成风景体验时的相互关系与合作机理，并通过考察中国古典文学中反映的风景活动，探索作为由诗性经验和理性经验构成的有机整体的风景体验的历史演进机制。主要结论为：风景体验中的诗性经验和理性经验诞生于人对自然的抽象把握，此后，诗性经验支配理性经验，理性经验追随、阐释并驯化诗性经验，在两者的交互作用中，风景体验作为整体渐臻圆融精微。文末讨论了当代风景美学的困境和其在精神层面的不可或缺性。%The deifnition of scenic experience, along with the exploration of its mechanics, constitutes the rudiments of landscape aesthetics. The present paper deals with the composition and evolution of scenic experience. Regarding scenic experience as a combined knowledge of inter-balanced impression and interpretation we raised that the former takes priority over the latter. The mechanics and dynamics in the two elements’ composing scenic experience are discussed, aided by a review of the making and development of scenic activities, particularly in Chinese classical verse. The conclusion is then drawn that, in scenic experience, impression and interpretation emerged simultaneously from the primeval chaos and have been reifning ever since. The former determines the latter, while the latter folows, interprets and sophisticates the former, leading ultimately to an ever greater improvement of human scenic experience, i.e. relfective scenery. At the end of the paper, current crises that landscape aesthetics should face with are addressed and the latter’s spiritual indispensability is conifrmed.
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