董其昌“文人之画”观念辨析

摘要

董其昌开列的“文人之画”的系谱以及他的“南北宗论”与他的同时代人的不同之处在于，有两个标准在他的系谱中起到结构性的支撑作用，一是师法造化，二是以画为乐。有此关口，“多寿”之说也成为他对绘画的一种极具个人性的表达。董其昌以个人的趣味和体悟重新结构绘画发展的历史，体现了他自开堂庑的雄心。%What differs Dong Qichang＇s ＂Literati＇s Painting＂ and ＂Theory of the Southern and Northern Schools＂ from his peer＇s works is that, there are two standards providing structural supports for his genealogy. One is ＂following the nature＂; the other is ＂drawing for joy＂. Meanwhile, longevity has become a personal expression of him reflecting his mentality for Chinese painting. Dong Qichang reconstructed the history of Chinese painting, reflecting his ambition of creating a new style of his own.