浅析舞蹈人物形象的塑造手法——当代舞《翠翠》的个人创作过程

摘要

The characters of dance work is based on the human body movement using which one's physical activity can be externalized clearly and accurately at the same time. Different from literary works, the characters in the dance image is more adept at expressing emotion and inner activities of the characters. Therefore, characters' extraction and artistic techniques of prototypes of processing is the basis of shaping characters of standard dance. The extraction may get from life, indirect materials such as the fairy tales, literature history. The character of "cui cui"analysed in this article is derived from the female characters in Shen Congwenss novel Border town. In the creation process of the literary figures, the original text of the lead characters is an important thinking orientation, whereas, in the process of refining, to retain the original brand and the mapping of director's emotional creation is required for shaping characters.%舞蹈作品中的人物形象塑造是以人体动作为前提,同时能够准确清晰地运用肢体将人物内心活动外化的一种艺术表现形式.不同于文学作品的是,舞蹈中的人物形象更擅长表达人物的情感与内心活动,因此在人物塑造时对原型的提取和艺术手法的加工是塑造舞蹈人物形象的标准和基础.这种提取有的来源于生活,有的来源于历史神话故事、文学作品等间接资料.本文所析的"翠翠"人物形象,来源于沈从文的小说《边城》中的女性人物原型.在文学人物的创作过程中,原作文本的引领是人物塑造的重要思维导向,但在提炼的过程中,保留原作的烙印和编导创作情感的映射都是人物塑造的必需.本文在锁定"翠翠"形象后,依据该人物塑造的规律完成了人物的二次创作,且梳理了创作步骤,试图协调在实践操作过程中与编创手法的对接关系,并将人物的直观动态性、情感及审美交融在艺术创作的过程中去.