首页> 中文期刊>新疆艺术学院学报 >国家意识形态视角下主旋律影视剧的创作困境与对策研究

国家意识形态视角下主旋律影视剧的创作困境与对策研究

     

摘要

主旋律影视剧在传达国家意识形态方面承担着重大责任.从文本分析的视角来看,我国的主旋律影视剧无论在叙事模式、受众范围,还是制作水准等方面,都存在着不同的问题,因此影响了商业价值的实现和国家意识形态的传达效果.近年来,以《智取威虎山》《湄公河行动》《人民的名义》《战狼Ⅱ》等为代表的一系列主旋律影视剧,在叙事的创新性表达、受众的大众性诉求以及制作的工匠性追求等方面进行了很多的探索,也取得了可喜的成绩.%The main theme film and TV dramas should major responsibilities in bearing national ideology. From the perspective of text analysis, there are different problems in main theme film and television drama of our country in terms of narrative models, audience ranges, and production standards and therefore affect the realization of business value and the propaganda of national ideology. In recent years, the main melody movie and TV series represented by "Taking the Tiger Mountain", "Operation Mekong", "In the Name of the People" and "War Wolf II" represented innovative expressions in the narrative, the general appeal of the audience and the craftsmanship of the production. A series of explorations have been carried out in the pursuit of such aspects, and we have made gratifying achievements.

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