首页> 中文期刊>西安电子科技大学学报(社会科学版) >王维山水田园诗作的审美特征及其禅宗境界

王维山水田园诗作的审美特征及其禅宗境界

     

摘要

王维的山水田园诗歌,无论是细腻的景物描写,还是简单的风景再现,本身都有着极高的审美价值和艺术成就。“诗为禅客添花锦,禅是诗家切玉刀”,禅宗思想对王维的诗歌创作和诗风形成起到了决定性的作用,优秀的山水田园诗作背后包含着诗人内心深处隐秘的情感和哲学之思。其在诗歌中鲜有禅宗偈语或禅理佛典,也少有佛义禅旨的传达,但在一幅幅“诗中有画”的作品之中,禅趣横生、禅境浓厚、生机勃勃。我们仿佛看到,一个站在人世之外的诗人,在与清风明月、高山流水的对话中,传达出宇宙的实相、自然的真性、人生的真理。%Wang Wei's pastoral poetry, whether it is a delicate description of the scene, or a simple landscape reappearance, itself has a high aesthetic value and artistic achievements.“The poem is a flower, and the Zen is the root”, Zen thoughts plays a decisive role on Wang Wei's poetry creation and poetry form. Behind the outstanding pastoral poetry contains the poet innermost hidden feelings and philosophical thinking. His poem has few Zen scriptures or code, even less conveys Zen's purpose, but in the picture”Painting-in-poetry”works, Zen is interesting, strong, and full of vigour. We seem to see a poet standing outside of the world, in the dialogue with the blue sky, mountains and rivers, to convey the reality of the universe, the true nature, and the truth of life.

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