杨慎杂剧创作之文献述评与文本考辨

摘要

杨慎杂剧作品自明代以来就存在着诸多争议。根据历代文献书目和学界研究成果对存在较大争议的杨慎《太和记》与许潮《泰和记》进行考述发现：杨慎《太和记》作为由24种剧本组成的杂剧合集，极有可能出自一人手笔；其题材选择具有明显的历史化倾向；《太和记》形式体制的独特性和开创性，在戏剧史上具有典型的意义。从具体文本考辨杨慎《洞天玄记》与陈自得《太平仙记》之间文字的差异看出：杨慎创作《洞天玄记》一剧不容置疑，陈自得《太平仙记》实乃改编自杨慎《洞天玄记》。%Yang Shen’s drama has been controversial since the Ming dynasty. Textual research of Yang Shen’s“Tai He Ji”(太和记)and Xu Chao’s“Tai He Ji”(泰和记)shows:“Tai He Ji”, a drama collection composed of 24 kinds of drama, was probably written by the same person and it’s theme has the obvious historical tendency.“Tai He Ji”is of significance in the history of drama because of it’s unique and innovative structure form. According to the differences between“Dong Tian Xuan Ji”(洞天玄记)and“Tai Ping Xian Ji”(太平仙记), there is no doubt that“Dong Tian Xuan Ji”was written by Yang Shen and“Tai Ping Xian Ji”was adapted from“Dong Tian Xuan Ji”by Chen Zide.