印学理论对明清流派篆刻发展的引领

摘要

Theoretical works of seal cutting appeared since the literati themselves participated in the seal cutting practice, and became clearly aware of the artistic value of seals.The seal cutting theory appeared relatively late, and it developed fast on the basis of the established theories of literature, calligraphy and painting.The maturity of seal cutting theories was earlier than the success of the seal cutting practice, which contributed to the prosperous scene of seal cutting in the Ming and Qing dynasties.This paper covers the development of the seal cutting theories and practice of seal cutters in the Ming and Qing dynasties, and hopefully this will give insight into today's seal cutting.%自文人亲自参与篆刻,在追求印章艺术性上具有了清醒自觉的认识,便出现了印学理论著作.印学理论的出现虽然较晚,但借鉴已有相当基础的文论、书论、画论而得到迅速发展.印学理论的成熟早于篆刻实践的成功,推动了明清流派篆刻呈现百花齐放、各出新面的繁荣景象.文章对印学理论的发展及明清篆刻家的创作实践加以阐述,以期对当代篆刻创新有所启迪.