中国汉末魏．初时期文学所特有的“风骨”风格与古罗马时期所崇尚的“崇高”都体现了中西方人民对雄浑的阳剐之美的崇尚。他们时代接近，风格相仿．可谓是世界文学史上早期的“雄浑”二重奏。但是在追求雄浑的道路上。中国古代文论家远没有古代西方学者们的论述严谨缜密。由于地域、文化、社会背景的不同，他们在描写内容、表现形式上都有差异，但是对文质合一的文学之美的追求却高度一致。我们发现阳刚这种雄浑之美除了是古代先民在生活中所共同向往、追求的可与自然环境相抗衡的力量外，我们还找到了在公元前后通过丝绸之路进行文化交流的实证。这无疑又为我们打开了新的思路，在探索中西文论的比较中加入二者文化互相交融、互相影响的重要因素。%The unique ＂Vigor of Style＂ in Chinese literature during the period between the late Eastern Han Dynasty and the early Wei-jin Period and ＂Sublimity＂ advocated in ancient Roman period Mike embody both Chinese people and Western people＇ s advocacy of forceful masculine beauty. They are close in style and age and can be described as the early ＂forceful＂ duet in the history of the world literature. But in the pursuit of forcefulness, ancient western scholars expounded their ideas more rigorously and meticulously than the ancientChinese literary critics. Due to different geographical, cultural, and social backgrounds, their descriptions differed in contents and forms, but their pursuit of the unity of literary quality and beauty was highly consistent. We have found that vigorous masculine beauty was the power which all our ancient ancestors yearned for and pursued in their lives and could compete with the natural environment. We have also got the evidence for cultural exchange that was carried out through the Silk Road around the Christian Era. It undoubtedly broadens our scope of mind and enlightens us consider the important factor in comparison of Chinese and Western literary theory, that is , how the two cultures integrated into each other and influenced each other.
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