布莱希特与中国戏剧的“陌生化效果”比较研究

摘要

布莱希特的“陌生化戏剧理论”深受中国戏剧的影响，他将中国古典戏剧中具有“间离效果”的美学特征定义为中国戏剧的“陌生化效果”，并吸收这一艺术手法创造性地建构出自己戏剧的“陌生化效果”。一方面，布莱希特从剧本创作、表演体系、舞台造型、观众接受几个方面，对中国戏剧进行吸收、借鉴以及发展；另一方面，布莱希特对中国戏剧中的“陌生化效果”具有创造性的误读，布莱希特的“陌生化效果”和中国戏剧中的“陌生化效果”，隶属于东西方两种不同的文化领域，具有本质上的不同。%Brecht’s drama theory was affected by traditional opera,he defined the aesthetics characteris-tic in Chinese traditional opera as“defamiliarization effect”,and create his drama from opera in China. For one thing,Brecht absorbed,referenced and developed Chinese traditional opera from playwriting, performing system,tableaux and audience reception. For another,Chinese opera was creatively misread by Brecht,there is essential difference between Chinese traditional opera and western drama since they belong to different culture background.