It has apparently been a powerful brushstroke in the history of Guangdong popular music that popular music has been performed in the form of a symphony chorus. ＂Tao Sheng Yi Jiusymphony chorus concert for the 30th anniversary of Guangdong popular music＂ is of great historical significance. The holding of this concert has proved that popular music and classical music （symphonic music or serious music） have no insurmountable gap in terms of the content and the form ; and that the development of popular music has its own tradition, but the diversi- fied forms of expression will provide wider development space for popular music. The recomposed work of these 21 popular songs performed in the concert with the form of Symphony Chorus is based on two principles： be faithful to the original basic style; and to innovate on the basis of origin. This has actually set the high creation principle for people doing the work. The 21 pieces of adaptation eventually created three types of works. Meanwhile, Guangdong Composers＂ choreographing practice on popular music makes it possible for people to have an opportunity to reflect on the artistic value of popular music.%将流行音乐作品以交响合唱的形式重新进行演绎，显然在广东流行音乐发展史上具有浓烈的一笔。“涛声依旧——广东流行音乐30周年交响合唱音乐会”，就是这样具有历史意义的一笔。音乐会的举办，给人们提出了两点参考：流行音乐与古典音乐（或交响音乐、严肃音乐）在内容和形式上并没有什么不可逾越的鸿沟；流行音乐的发展固然有自己的传统，但多元化的表现形式，将为流行音乐提供更为广阔的发展空间。音乐会上演出的21首交响合唱形式的流行歌曲，其改编工作，基于两点原则：忠实于原创的基本品格；在忠于原创的基础上进行创新。这实际上为改编者提出了较高的创作原则。21首作品的改编最终形成了三种作品类型。同时，广东作曲家对流行音乐的这次创编实践，也使人们对流行音乐的艺术价值有了一次重新审视的机会。
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