中国早期电影人的“美国经验”与“中国梦”--洪深、孙瑜、张骏祥的跨文化电影创作实践论

摘要

The "returnee"filmmakers,a group of western-educated modern intellectuals,represent the strongest force of modernity in the early Chinese film industry.Among them,Hong Shen,Sun Yu and Zhang Jun-xiang have played a most active role in the transitional stages of China's film history.They each adopted western modern aesthetic ideals and chose theater and cinema as their media for imagining and constructing "China Dream",though with different emphases.This paper reviews how the film productions of Hong Shen, Sun Yu,Zhang Jun-xiang,reached beyond their"American Experience"to explore"China Dream"and it also seeks to examine how their cross-cultural practice has contributed to the emergence of modernity in Chinese cin-ema,the purpose of which is to provide a historical perspective for today's cross-cultural Chinese film produc-tion.%由新式知识分子组成的“海归”队伍是中国早期电影界现代性最强的一股力量，这其中，洪深、孙瑜、张骏祥在不同时期积极吸收西方现代艺术理念，不约而同且各有侧重地将戏剧电影作为“中国梦”的文化想象与建构方式，在中国电影发展历程的不同转折点上扮演重要角色。通过回顾洪深、孙瑜、张骏祥的电影创作实践是如何跨越“美国经验”，而朝着电影的“中国梦”探索前行，可探析这种跨文化实践对中国电影现代性的发生所产生的影响，借此可为今天中国电影的跨文化生产提供历史经验。