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Be an Outlaw, Be a Hero: Cinematic Figures of Transgression and Urban Banditry in Brazil, France, and the Maghreb.

机译:做个Out徒,做个英雄:巴西,法国和马格里布的犯罪人物和城市匪徒的电影人物。

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摘要

The project is a transnational study of how filmic representations of urban criminals and marginal figures transformed as Brazil, France, and the Maghreb shifted from military governments to liberal democracies. Beyond ideological productions that simply produce positive or negative portrayals, I examine how films made under military regimes invite audiences to identify with anti-heroes while films made under liberal democracies invite admiration of institutional figures, turning standards of good and evil on their head. The anti-authoritarian potential of violence in earlier periods is construed as a failed redemption in later ones. The theoretical background of the project rests on the oppositional and constitutive relationship between the outlaw and the state, the relationship between urban space and criminal personification, and the historical specificity of the transgressive figure's embodiment of socially un/desirable traits. I establish a geographic and conceptual continuity through a comparative postulation of urban citizenship---who belongs to the city and who does not, who is marked in their transgression and who is not, who is laudable bandit and who is condemned. In delving into a face-to-face relationship between the outlaw and the state following an aesthetic and historical tracing of a highly iconic figure at the margins of the law, the project brings statecraft into focus through the use of visual and representational forms.
机译:该项目是一项跨国研究,研究了随着巴西,法国和马格里布从军事政府转变为自由民主国家,城市罪犯和边缘人物的电影作品如何转变。除了简单地产生正面或负面刻画的意识形态作品之外,我还将考察在军事政权下拍摄的电影如何邀请观众认同反英雄,而在自由民主制下拍摄的电影则如何吸引机构人物的崇拜,从而使善恶标准成为现实。较早时期发生的反威权势力被认为是较晚时期失败的救赎。该项目的理论背景取决于the徒与国家之间的对立和本构关系,城市空间与犯罪人格化之间的关系,以及犯罪人物体现出社会上不希望的特征的历史特殊性。我通过对城市公民身份的比较假设来建立地理和概念上的连续性-谁属于城市,谁不属于谁,谁在其犯罪中作标记,谁不属于谁,谁是值得称赞的强盗以及谁受到谴责。该项目是在法律边缘的高度标志性人物的美学和历史追寻下,深入研究out徒与国家之间的面对面关系时,该项目通过使用视觉和代表性形式,将治国之道成为焦点。

著录项

  • 作者

    Gharavi, Maryam Monalisa.;

  • 作者单位

    Harvard University.;

  • 授予单位 Harvard University.;
  • 学科 Cinema.;Literature Comparative.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 242 p.
  • 总页数 242
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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