树先生：超现实主义的想象性胜利

摘要

This paper discusses the two parts＇ distinct art style from the film ＂hello! Tree, sir. ＂, and points out that its first half belongs to Jia Zhangke＇s documentary style, while the latter part into the unreal style of surrealism style. The film, ＂hello! Tree, sir. ＂, demonstrates a victory of the imagination for the reality.%论述了电影（（hello!树先生》前后两部分截然不同的艺术风格，指出其前半部分属于贾樟柯式的纪0’T实风格，而后半部分则进入了超现实主义式的虚幻风格。（hello!树先生》由此展现了一种对于现实的想象性胜利。