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From surrealist film to Surrealism in film (Surrealism in the 20th century commercial cinema).

机译:从超现实主义电影到电影中的超现实主义(20世纪商业电影中的超现实主义)。

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摘要

One of the most original and prolific movements that influenced all fields of art and literature, Surrealism contributed to cinema and the development of new narratives by strongly emphasizing the exploration of dreams and fantasy. While most studies on Surrealism concentrate on its influential period of the 1930s and the films of Luis Bunuel, the purpose of this thesis is to surpass the fragmentary nature of research on Surrealism in film after the Second World War; to analyze the French and Francophone directors whose works relate consistently to Surrealism; and finally to determine Surrealism's situation in recent French cinema.; The first chapter, "Surrealist Image Reexamined," concentrates on the texts of the surrealist avant-garde period. Film scripts, reviews and theoretical texts are analyzed in order to reconstruct the surrealist program of beliefs and practices and establishes the ground for future research. Chapter two, "Surrealism and Commercial Cinema after World War II," analyzes Surrealism's influence on commercial cinema and the films of Luis Bunuel that propose his own brand of Surrealism. Chapter three, "Jan Svankmajer and the Persistence of Surrealism," examines the activity of a contemporary surrealist filmmaker whose personal philosophy and works revive the ideas and beliefs of the original group. "Demystification and Webtopia in the Films of Nelly Kaplan" examines her definition of androgynous creation, the mythicized image of woman and the construction of one of the most original feminine utopias.; Chapter five, "Andre Delvaux or What Surrealism Could Have Been," looks at Delvaux's exploration of the dialectic real---imaginary and the Proustian dimension of his films. Chapter VI, "Surrealism in Contemporary French Cinema," explores the dispersion of Surrealism in contemporary French cinema, while the conclusions point to other possibilities of research in various world cinemas. Covering a period of eight decades, this research puts into perspective the remarkable developments and metamorphosis of contemporary Surrealism.
机译:超现实主义是影响艺术和文学各个领域的最原始和最多产的运动之一,它通过大力强调对梦想和幻想的探索,为电影和新叙事的发展做出了贡献。尽管大多数对超现实主义的研究都集中在1930年代的影响力时期和路易斯·布努埃尔(Luis Bunuel)的电影上,但本论文的目的是超越第二次世界大战后电影中对超现实主义的研究的零碎性质。分析其作品始终与超现实主义相关的法国和法语导演;最终确定超现实主义在法国最近的电影院中的处境。第一章“超现实主义形象的重新审视”集中于超现实主义前卫时期的文本。分析电影剧本,评论和理论文本,以重建超现实主义的信仰和实践计划,并为未来的研究奠定基础。第二章“第二次世界大战后的超现实主义和商业电影”分析了超现实主义对商业电影的影响以及路易斯·布努埃尔提出自己超现实主义品牌的电影。第三章,“扬·斯万卡默与超现实主义的持续存在”,考察了当代超现实主义电影制片人的活动,他的个人哲学和作品重振了原始团队的思想和信念。 “内莉·卡普兰的电影中的神秘化与网络化”探讨了她对雌雄同体创作的定义,神话般的女性形象以及最原始的女性乌托邦之一的建构。第五章“安德烈·德尔沃(Andre Delvaux)或超现实主义可能发生了什么”,着眼于德尔沃对辩证现实的探索-虚构和电影的普鲁斯特主义。第六章“当代法国电影中的超现实主义”探讨了超现实主义在当代法国电影中的传播,而结论指出了在各种世界电影中进行研究的其他可能性。在长达八十年的时间里,这项研究将当代超现实主义的显着发展和变态纳入了视角。

著录项

  • 作者

    Giukin, Lenuta.;

  • 作者单位

    University of Illinois at Urbana-Champaign.;

  • 授予单位 University of Illinois at Urbana-Champaign.;
  • 学科 Literature Romance.; Cinema.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 219 p.
  • 总页数 219
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;电影、电视艺术;
  • 关键词

  • 入库时间 2022-08-17 11:46:29

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