厦门近代“嘉庚建筑”的本土化历程

摘要

基于地域性建筑理论,选择具有闽南特色的红砖文化与石材文化为2个切入点,对厦门近代＂嘉庚建筑＂1919—1962年间的本土化历程进行系统的分析与研究.首先追溯其本土化历程的缘起,进而研究其如何将闽南传统红砖文化融入南洋建筑式样,创造出具有闽南红砖文化特色的＂嘉庚建筑＂;最后研究其如何将闽南传统石文化融入南洋与西洋建筑式样,创造出具有闽南石文化特色的＂嘉庚建筑＂,为当代地域性建筑的创作提供有益的实践经验和理论支持.%Based on the theory of holistic regionalism which encourages architectural design to integrate with the specialties of regional natural and cultural environment,as well as the local culture on technique and art,the localization process of "Jiageng Building" during 1919—1962 is studied in terms of local red-brick culture and granite culture.The target of the study is to discuss how "Jiageng Building" succeeds in dealing with the relationship between the advanced foreign architectural culture and the excellent traditional culture in order to create the mixed building style with high quality and strong local characteristics,to provide beneficial architectural practice and theory for the contemporary regional architecture development.