首页> 中文期刊>华北水利水电学院学报(社科版) >福柯的空间、权力和话语理论在后现代艺术中的体现

福柯的空间、权力和话语理论在后现代艺术中的体现

     

摘要

福柯是法国著名的后现代思想家,其学说以语言学为基础而影响到世界各地不同的学术领域.福柯对空间、权力和话语的分析在其理论体系建构中独树一帜,并在当代学术界不断引起争议.在美学与文学艺术学界,福柯的空间、权力和话语理论同样占有重要地位.艺术作品及艺术家的空间呈现、艺术家的话语权和身份认可、文学艺术对人类生存实践的影响,在后现代艺术中已经不同以往.本文以福柯的空间、权力和话语理论建构为线索,试图分析后现代艺术的空间特性以及其中话语权力的体现.%Foucault is a famous postmodern thinker in France, whose theory is based on linguistics, which affects different academic research fields all over the world.Foucault's analysis of space, power and discourse is particularly unique in the construction of his theoretical system, and has been controversial in the contemporary academic circles.In the field of aesthetics and literature and art, Foucault's space, power and discourse theory also play an important role.The works of art and artists, the right to speak and the recognition of the artist, and the influence of literature and art on the practice of human existence are different from those of the post-modern art.Based on Foucault's theory of space, power and discourse, this paper attempts to analyze the spatial characteristics of post modern art and the embodiment of discourse power.

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