扬州现代漆画根植于扬州古代漆艺，并在中国现代漆画发展的大背景下产生和发展。二十世纪七十年代，由于扬州漆画创作群体中一些中青年画家的不断尝试与探索，加之扬州自身所特有的漆艺传统底蕴，使扬州现代漆画的审美价值逐渐凸显，成为中国现代漆画的一个重要分支，八十年代发展较快，从此扬州现代漆画逐渐成为本地区重要的地域文化符号之一。扬州现代漆画具有绘、撤、变、堆的装饰技法。其美学特征表现为晶莹剔透的材料美、华丽复杂的工艺美、精神托负的意境美。扬州现代漆画在装饰环境空间方面能够发挥丰富室内空间层次、营造个性化空间的作用。%The modem lacquer paintings of Yangzhou are deeply rooted in the ancient lacquer technology of Yangzhou, and appeared and developed in the trend of prosperity of modem lacquer paintings of China. In the 1970s, based on the pioneering endeavors and probations of middle-aged artists and the unique tradition of lacquer paintings in Yangzhou, the aesthetic value of modem lacquer paintings began to be favored by people, which renowned the modem lacquer paintings of Yangzhou as one of the outstanding branches of modem lacquer paintings of China. In the 1980s, the fast development made the modem lacquer paintings of Yangzhou the significant cultural symbol of the region. There are several features in this modem artistic form.
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