电影病理学与现代电影理论转型

摘要

自电影符号学宣告现代电影理论诞生以来，电影理论不断吸收相关学科理论来实现自我建构，促使自身走向多元化。电影精神分析学作为现代电影理论的一支，其对于电影中所呈现的精神疾病的研究取得了累累硕果；但其身体维度的缺失使得电影精神分析学视域下的主体始终处于残缺状态。在这一背景下，“电影病理”作为电影学的新概念的提出和研究，是迫切而必要的。电影病理学在现代电影理论转型的机遇下诞生，又将对现代电影理论转型产生一定影响。%Film theory has been drawing lessons from theories of related subjects to implement its construction since the semiotics of cinema marked the debut of modem film theory, which leads to its diversification. Being a brand of modem film theory, film psychoanalysis has made important contributions to the study of mental illnesses presented on film screen. However, the subjects within the horizon of film psychoanalysis are always incomplete due to its lacking of physical dimension, which makes it urgent to put forward the concept of ＂film pathology＂ in film study. Thanks to opportunities created by the transition of modem film theory, film pathology comes into being; it will also conversely affect the transition of modem film theory.