论《生死疲劳》对传统文化的承续与超越

摘要

《生死疲劳》是莫言继《檀香刑》后向传统文化致敬的又一力作。他立足自身的成长经历，借助章回体的创作形式直接对话滋养其灵魂的中国古典小说，通过主人公西门闹的生死轮回传达了对传统宗教戒律的审视。童心盎然、思想叛逆的莫言还将历史与现代相结合，成功从传统的人物形象塑造方式中突围，塑造出亦真亦假的小说家“莫言”，实现了对传统文化的承袭与超越。%“LifeandDeathAreWearingMeOut”is another masterpiece of MoYan after his“Sandalwood Penal⁃ty”The novel based on his personal growth with the aid of chapter the creation of the form of direct dialogue nourish the soul of classical Chinese novels, through the hero Simon of samsara, conveyed to the review of the traditional religious taboo. Mo Yan , who is childlite innocent and rebellious , has also combined with modern and history, successfully made a breakthrough from the traditional way of creating characters, making novelist“MoYan”in imagination as well as in reality to reach the goal of surpassing and carring on the traditional cul⁃ture.