“回家”的诱惑——王海鸰婚恋小说中的女性呈现模式

摘要

“回家”是女性主义批评展开讨论的一个重要命题,因为“家”关涉着一组核心对立项:公共空间/私人空间,而女性主义的阐释空间恰恰在这组二元对立的裂隙中生成.本文拟以王海鸰的婚恋小说为对象,围绕“家”的命题探讨三种女性呈现模式:背景化生存模式、主体性回归模式和独立性凸现模式.在“回家”的不同变奏中,作者试图寻找女性从婚恋之绝境得以精神突围的新方向.%"Returning home" is a significant topic in critics of feminism, which is due to a group of core op-posites concerning "home",such as public/private space. The room of exploration of feminism is generated in the crack of the binary oppositions. The paper is about three female presenting types:sticking to family, abandoning family and surpassing family. In the vibration of "returning home",the writer tries to find the new mental orientation of breaking out of hopeless marriage encirclement.