日本近代写实主义传统的突破--论野间宏《骰子的天空》中的“新写实主义”

摘要

日本“战后派”作家野间宏借鉴以巴尔扎克为代表的近代欧洲的小说理论和小说实践，结合日本战后证券社会的现实创作出独特的长篇小说--《骰子的天空》，野间宏突破了日本近代以来既有的小说概念，在变革小说形式的同时，创造出了具有“新写实主义”风格的小说世界。本论文从“新写实主义”在野间宏“全体小说”创作中的作用、“新写实主义”与日本近代写实主义传统间的传承和突破、“新写实主义”与日本无产阶级文学的“现实主义”之间的区别等方面全面分析了具有野间宏特色的写实主义小说创作特点。%Noma Hiroshi, the famous Japanese post-war author, wrote the unique novel SaikoronoSora, or“Dice Sky”, using the modern European novel theory mainly created by Balzac. In SaikoronoSora, Noma Hiroshi made a breakthrough in traditional Japanese modern realism and built a new novel world of“New Modern Realism”. The paper tries to point out the characteristics of this“New Modern Realism”from three aspects:the effect of“New Modern Realism”in Noma Hiroshi’s“Total Novel”works;the relationship between“New Modern Realism”and Japanese traditional modern realism;and the difference between“New Modern Realism”and the realism expressed in Japanese Proletarian Literature.