从现存可见的文学艺术来看，“汉代的艺术是人的艺术”；汉代的思想是尊重人重视人的。“天人之美”主要是西汉时的美学风格，也是汉儒阐释“六经”的美学追求；“人和之美”涵盖了东汉中晚期的艺术特征，是文艺走向自觉的开始。如果说，汉代人对经学的阐释是发现自我，那么汉代书法就是汉人与自然的真正交流见证。人的自然化、自然化的人，二者水乳交融却是以汉代审美意识的整合开始的。%Looking from the existent literary and artistic points, "the arts of the Han Dynasty were the arts of human". The thoughts of the Han Dynasty emphasized their respect to human beings. "The beauty of heaven and human" was the aesthetic style of the Western Han Dynasty as well as the aesthetic pursuit with which the Han Confucians expounded the "six Classic Works"; whereas, "the beauty of harmonious human" covered the artistic characteristics of the middle and late period of the Eastern Han Dynasty, which was the beginning of the art and literature to self-consciousness. If the explanation of the classic works by scholars of the Han Dynasty was a path to discover selfhood, the calligraphy of the Han Dynasty was a real witness to watch the communication of human and nature. The melting of the human naturalization and naturalized human started the aesthetic consciousness of the Han Dynasty.
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