首页> 中文期刊>辽东学院学报(社会科学版) >“空间的艺术”:汉赋空间叙事的演进、类型及其美学特征

“空间的艺术”:汉赋空间叙事的演进、类型及其美学特征

     

摘要

作为一门“空间的艺术”,汉赋诸种体类所涉及的空间层面多样,并发生相互交错、渗透、重叠的关系。汉赋家们在散体赋以及部分骚体赋及其变体中,综合古代空间意识及前人创作经验将空间叙事推向成熟。汉赋空间叙事主要有方位叙事、“连类”叙事和移位叙事三种主要类型,并具有空间叙事与时间叙事互为依存、现实空间与想象空间互为补充以及表层结构与空间意义互为支撑等鲜明特征。汉赋家依空间的无限性、共存感与形式特征而建构起时空交错的总体艺术架构,把纷繁的物象统一为宏大的、气势生动的审美整体,从而鲜明地体现了汉赋“巨丽”的审美趣味。%As an art of space , the normative form of literature of Fu of the Han dynasty involves various spatial levels which are intertwined , penetrating and overlapping.In prose F u, some pieces of Sao style Fu, the Fu writ-ers in the Han dynasty mature the spatial narration by combining the spatial ideas in ancient works and using the writing techniques of previous works .The spatial narration can be mainly classified into three types as orientation narration, class narration and shift narration .As distinct characteristics , the spatial narration and time narration in-terdependent , the realistic space and imaginary space supplement and the surface structure and spatial significance mutually support .With the overall art structure built by the infinity , coexistence and formal characteristic of the space , the Fu writers in the Han dynasty unify the numerous and complicated images as one grand and vivid esthet-ic entity, by which the tremendous and beautiful esthetic taste of Fu of the Han dynasty is clearly reflected .

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