撰与刻的政治构想--南宋夔门《皇宋中兴圣德颂》的文化涵义

摘要

南宋夔门《皇宋中兴圣德颂》以宋高宗禅位宋孝宗的美德为主题内容，不仅突显出孝宗朝前期的政局实态，并且反映了颂文撰、刻者的政治构想。颂文撰写者赵不息借以“禅位美德”作为颂文的主题内容，彰显自己政治选择的大致取向；颂文刻石者王伯庠，为扭转仕途浮沉的命运，亦借颂文内容及刻石之举，博得一定的政治声誉，从而实现政治路线及政治情感上与宋高宗衔接。该篇颂文的书写不仅具有一定的艺术价值，其撰刻活动亦具有深刻的政治文化涵义%　　Ode to Song Gaozong at Kuimen in Southern Song Dynasty, taking Song Gaozong giving his place to Song Xiaozong as the main content, not only clarifies the actual political situation of the early stage of Song Xiaozong’s reign but also reflects the political conceptions of the eulogy of the writer and engraver. Zhao Buxi, the eulogy writer, taking Song Gaozong giving his place to Song Xiaozong as the main content, highlights the orientation of his political conceptions. Wang Boyang, the eulogy engraver, in order to set his own political career on the right track, won some political reputation with the engravings so as to impress people with the fact that he was in agreement with Song Gaozong both in political line and political feelings. This eulogy is artistically significant, and its engraving is profound in political and cultural connotations.