窥视作为刁斗小说创作的方法和手段，具有丰富的文化内涵。窥视主体以隐匿者和闯入者的双重身份呈现在文本中，承担了审视和介入都市的作用。作者的知识分子和都市人的身份特质及现实与先锋、身份与意识的巨大思想落差促使了其笔下人物的分裂性格的形成。窥视主体和客体的互置，既表达了人类的隐匿欲望，也体现了都市人之间的隔阂存在。窥视造成叙事空白，建构了开放式的叙事结构。读者的介入，形成窥视中的窥视和多层次的阐释空间，终将小说推动到人类生存哲学层面的思考。%As a writing skill and method in Diao Dou's novels, peep is of rich cultural implication. As an invisible observer and intruder, the person who peeps plays the role of examining and entering the cities. The disruption of characters in his novels is due to the dual identity of the writer as both a man of letters and a man living in the city. The replacement of the subjectivity of the person who peeps by the objective beings predicts the hidden desires of human beings and the strangeness among people in the cities. This kind of peep results in the blank of narration, producing an open-style narrative structure. The intervention of the reader leads to a multiple interpretation to the novels, promoting his novels to a higher level—philosophical thinking on human beings.
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