首页> 中文期刊> 《北京交通大学学报(社会科学版)》 >阿多诺“文化工业”批判理论及其启示

阿多诺“文化工业”批判理论及其启示

         

摘要

作为西方马克思主义的重要流派,以阿多诺为代表的法兰克福学派的文化工业批判理论,开创了大众文化批判的理论先河,被学术界公认为研究“文化产业”问题的起源。尽管阿多诺是在否定的层面上来阐释技术理性统治下的整个资本主义文化工业的,但是阿多诺关于文化与工业、艺术与技术、文化工业与意识形态等方面的论述,对于当前我国文化产业实践具有积极借鉴意义和参考价值。我国应在文化改革创新中加快政府职能转变;文化产业的发展应注重实现经济效益与思想价值相统一,注重社会主义主流价值文化的导向作用和文化传播功能。%As a principal school in western Marxism ,the Frankfurt school ,headed by Adorno ,has laid the groundwork for mass cultural criticism ,and is generally regarded as the pioneer in “cul-tural industry” studies by the academic community .Although Adorno interprets on the w hole the capitalist cultural industry under the control of the technological rationality from a negative per -spective ,his remarks on the relationships between culture and industry ,art and technology ,cul-tural industry and ideology and many other aspects ,have definitely a positive significance and ref-erential value in the current practice of Chinese cultural industry .We should quicken the transfor-mation of the governmental role ,put emphasis on the integration of economic benefits and spiritu-al values ,and pay attention to the dissemination of China ’s main stream culture in the process of cultural industry development ,its reform and innovation .

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