感通之德与游艺精神——唐君毅对中国游艺精神的新解

摘要

在中国传统文化中,游艺精神由来已久,以孔子、庄子为代表的游艺精神强调的是游艺主体的心之游,唐君毅在继承先贤的基础上,从其心本体论出发,认为游艺精神是心物交融为核心的物我感通.他从感通之心、感通之物(艺术)以及心物交融三个方面对游艺精神进行阐释,既体现了对传统游艺精神的承继又呈现了其个人的新解和对时代精神的融入.%In traditional Chinese culture, recreation spirit exists for a long time, the recreation spirit represented by Confucius, Chuang Tzu emphasized the importance of the recreation from the heart. Tang Junyi on succession of the philosophy of the sages, started from the heart Ontology theory, emphasized that the mind and matter blend is the core of recreation spirit. He interpretated recreation spirit from three aspects: the heart-the subject of telepathy, the object of telepathy (ART) and the mind and matter blends. This interpretation not only is the inheritance of the traditional culture but also is the new explanation of the recreation spirit.