首页> 中文期刊>艺术百家 >成大器者,常为第一——从《曹操与杨修》看尚长荣艺术价值

成大器者,常为第一——从《曹操与杨修》看尚长荣艺术价值

     

摘要

"Cao Cao And Yang Xiu"SHANG Changrong acts as the leading role has not faded for 20 years,played a commanding role in the Chinese traditional drama during the new time,it has also formed a feature of SHANG Changrong's art characteristic.In this play,SHANG Changrong first remolds a new character of Cao Cao,intently manifests the human nature in the Chinese traditional drama during the new time;and first constructs the art of new character with painted facial make-up more than the copper hammer,rack,has exposed the rule which once more tradition grows continually.In these "first",there are some kind of universal significance.%尚长荣主演的<曹操与杨修>20年来久演不衰,在新时期戏曲发展中占有历史性的领军地位,也标志了尚长荣艺术的确立.在该剧中,尚长荣第一次对曹操进行了人物重塑,并以此典型、集中地体现了新时期戏曲发展中对人性的开掘与剖示;也全新的以曹操形象,第一次构筑起超越铜锤、架子两门抱的全能型和性格化的新净行艺术,再次揭示了传统持续生长的规律.在这些"第一"之中,都蕴含了某种普遍的意义.

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