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李清照前后期词风的差异

     

摘要

宋代杰出女词人李清照,在文学史上素来被奉为“婉约派”的正宗。她的词作,以曲折细腻见长,能把一些非常纤细的事物或感情,通过高妙的艺术手法加以再现,不但以豪放见长的词人望尘莫及,便是一般婉约为宗的能手也相形见绌。有人称道她的“宠柳娇花”、“绿肥红瘦”,也有人赏识她的“帘卷西风,人比黄花瘦”。这些固然是警策的句子,标举出来,未尝不可以看出她的功力。但李清照的词之所以能涵咏百代,彪炳千秋,具有不朽的艺术魅力,是因为她创作了自己独特的艺术风格。%Song poetess Li Qingzhao, in literary history has always been regarded as a"graceful faction"authentic. Her wor-ds made to the delicate twists known, can some very fine things or feelings, to be reproduced by sublime artistic, not only to catch poet known for bold, graceful as is generally the experts were also dwarfs. Some praised her"beautiful","Green ma-nure red thin", it was also appreciated her"curtain westerly, thinner than yellow."These of course are inspiring sentences, standard lift out, something that can not see her skill. But Qingzhao able Han Yong EMI, shine through the ages, with a monu-mental artistic charm, because she has created his own unique artistic style.

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