首页> 中文期刊> 《重庆社会科学》 >钟肇政的客家文化与书写特征

钟肇政的客家文化与书写特征

         

摘要

1982年台湾文学评论界第一次提出“客家文学”,而早在20世纪50年代钟肇政就着手进行客家身份认同书写。钟肇政对客家文化的认识和认同有一个渐进的过程,这可以从他对客家山歌、采茶戏的书写中清晰地看到;而他的客家硬颈精神认同书写,则表达了客家人傲然立世的豪气;客家文化是一种典型的大陆文化,有着深切的土地情结。%In 1982, literacy critics in Taiwan first proposed "Hakka literature", while as early as in the 1950s, Zhong Zhao-zheng already set about Hakka identity writing. Zhong Zhao-zheng's awareness and recognition of the Hakka culture was a gradual process, which can be clearly seen from his writing of the Hakka folk songs and tea-picking operas. His identity writing of the Hakka stiff-necked spirit expressed their unyielding heroic spirit. Hakka culture is a typical continental culture, which has a profound land complex: The rise of the Hakka ethnic consciousness is the result of the development of Taiwan social pluralism. What is worthy of attention is, however, the existence of a right-wing local faction which deliberately stirs up ethnic consciousness and shows separatist tendencies.

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