回顾我国石经幢的起源,进而探究南安桃源宫陀罗尼经幢的建筑特征以及雕刻艺术的文化内涵,并把它与泉州及江南和中原地区的石经幢进行对比,探索其建筑样式演变的历程,分析其宗教作用。%This paper takes a look back on the origin of the Buddhist stone pil ar in China and makes a thorough inquiry into the architectural characteristics of the Dharani Buddhist stone pil ar in Taoyuan Temple of Nan’an and the cultural connotation of its sculptural art. This paper also makes a comparison between it and other Buddhist stone pil ars in South of the Yangtze River and the Central Plains region, explores the evolution of its architectural style and analyses its The role of religion.
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