建筑师和艺术:莫雷蒂、巴洛克和卡拉瓦乔

摘要

Through the juxtaposition of architecture and painting,the paper expounds how architect Luigi Moretti combined the classic with baroque aesthetics,in which he discusses the binary relations from profile to continuity,and from lightness to shadow.The comparison on light,volume,structure and composition is not simply about form but a dialogue between design techniques and cultural orientation.Through the interweaving of history,theory and cultural critique,we can sense the subtlety of cultural and aesthetic interest under a national modern ideal,and set up a research correlations based on design and cultural criticism.%通过建筑和绘画的并置,阐述建筑师莫雷蒂如何将古典和巴洛克结合起来,在作品中讨论从廓形到连续、从清晰到阴影的二元关系.文中对光线、物体、结构、布局等要素的举证,并不是简单的形式对比,而是在设计手法和文化导向两个层面的对话,通过历史、理论和文化批评的交织,观察意大利民族理想下文化状态和美学意趣的微妙性,从而打开设计和文化批评的关联性研究.