首页> 外文学位 >THE MORAL ANIMAL: DEFINING HUMAN NATURE IN THREE RENAISSANCE PLAYS (JONSON; 'VOLPONE'; SHAKESPEARE; 'KING LEAR'; WEBSTER; 'THE DUCHESS OF MALFI')
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THE MORAL ANIMAL: DEFINING HUMAN NATURE IN THREE RENAISSANCE PLAYS (JONSON; 'VOLPONE'; SHAKESPEARE; 'KING LEAR'; WEBSTER; 'THE DUCHESS OF MALFI')

机译:道德动物:在三部文艺复兴时期的戏剧中定义人性(琼森;“VOLPONE”;莎士比亚;“李尔王”;韦伯斯特;《马尔菲公爵夫人》)

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摘要

This study of three English Renaissance plays demonstrates how essential animal references are to their vision: Volpone is an animal fable about the notorious fox; King Lear is the Shakespearean tragedy with the most numerous and insistent animal images; and The Duchess of Malfi is a Jacobean tale of horror about a werewolf. In each play the animal presence alerts us to an inevitable central opposition between irreconcilable forces within human nature. The animal kingdom has played an important role in self-definition throughout human culture beginning with the animals in the earliest examples of storytelling and art. Psychology confirms the importance of animals as sexual symbols; anthropology interprets animals as a key to understanding culture. In the Renaissance, two important works concerning animals, the fables and the bestiary, undertook the more specific task of moralizing. Animals were regarded as a living text from which to learn. Volpone, through his ties to the fable fox, the bestiary fox, and Reynard, is both heroic villain and immoral moralizer, who presents the essential conflict between the desires for virtue and for vice and evil's fundamental role in bringing about good. The diverse animal images in King Lear present attempts by the characters to explain themselves and their place in the world: by definitions, in anthropologically interpretable events, in legend, myth, folklore, exemplum, in daily life. Two images in particular, the pelican and the centaur, expose the human dualities and unveil how good and evil can exist together in every human being. The wolf in The Duchess of Malfi takes us deep into the territory of the unconscious, exposing appetite as one of the most powerful psychological forces controlling human behavior and revealing violence as a distortion of this basic human drive. In these Renaissance plays, enriched by symbolic meanings that have surrounded animals from the beginning of human culture, animals invariably further exploration of human nature and raise questions of moral significance.
机译:对三部英国文艺复兴时期戏剧的研究表明,动物对他们的愿景有多么重要:Volpone 是关于臭名昭著的狐狸的动物寓言;《李尔王》是莎士比亚的悲剧,拥有最多和最持久的动物形象;而《马尔菲公爵夫人》则是一个关于狼人的詹姆士式恐怖故事。在每部戏剧中,动物的存在都提醒我们,人性中不可调和的力量之间不可避免的核心对立。动物王国在整个人类文化中,从动物开始,在最早的讲故事和艺术的例子中,在自我定义中发挥了重要作用。心理学证实了动物作为性象征的重要性;人类学将动物解释为理解文化的关键。在文艺复兴时期,两部关于动物的重要作品,寓言和动物寓言,承担了更具体的道德化任务。动物被视为学习的活文本。沃尔彭通过与寓言中的狐狸、动物寓言狐狸和雷纳德的关系,既是英雄的恶棍,也是不道德的道德使者,他展示了对美德和罪恶的渴望与邪恶在带来善的根本作用之间的本质冲突。《李尔王》中多样化的动物形象展示了人物试图解释自己和他们在世界上的位置:根据定义,在人类学可解释的事件中,在传说、神话、民间传说中,在日常生活中。特别是鹈鹕和半人马这两幅画,揭示了人类的二元性,并揭示了善与恶如何在每个人身上共存。《马尔菲公爵夫人》中的狼将我们带入无意识的领域,揭露了食欲是控制人类行为的最强大心理力量之一,并揭示了暴力是对这种基本人类驱动力的扭曲。在这些文艺复兴时期的戏剧中,从人类文化开始就围绕着动物的象征意义丰富了动物,动物总是进一步探索人性并提出道德意义问题。

著录项

  • 作者

    COHEN, MERYL MATKOFF;

  • 作者单位

    Temple University;

  • 授予单位 Temple University;
  • 学科 British and Irish literature
  • 学位
  • 年度 1987
  • 页码 216
  • 总页数 216
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

    British and Irish literature;

    机译:英国和爱尔兰文学;
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