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Museums, ethnology and the politics of culture in contemporary Vietnam.

机译:当代越南的博物馆,民族学和文化政治。

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摘要

This dissertation explores the role of museums and ethnology in the construction and transformation of national identity in the Socialist Republic of Vietnam. Ethnologists and museums have constructed, represented, and re-constructed the diverse ethnic cultures and their place in the national narrative of the modern nation and thus have participated in the national struggle to transform the country from a colony to a modern, independent, multi-ethnic nation. During the colonial era museums were used as ways to shape the identity of the colony. Since 1954 and the successful military campaign against the French, museums and ethnology have been tools for the establishment of a national imaginary that entails the historical tradition of resistance against foreign aggression and the vision of the nation as a unified front of the diverse peoples in the territory. More recently this has been envisioned as a national cultural heritage which must be preserved in the face of increased globalization and opening to foreign markets.;Although museums in Vietnam today typically keep to the general outlines of the national narrative, one museum has pioneered new approaches and new storylines since its opening in 1997. The Vietnam Museum of Ethnology in Hanoi is thus the focus for this study. Although ethnologists and museologists there continue to be entwined with state policies, key projects and individuals have articulated ideas and values somewhat divergent from the norm. As the primary national ethnographic museum, this state-run institution represents both the discipline of ethnology and the mode for representing the nation's 54 ethnic groups and their cultural heritage. This dissertation explores the politics of cultural heritage, the ethnological and museological practices which inscribe ethnic identities in public spaces, and the changing identity of the field of ethnology itself. It queries the intersection of museums, people and the state in a postcolonial, communist country undergoing rapid transformations, using ethnographic and historical approaches based on fieldwork and ongoing engagement in contemporary Vietnam.
机译:本文探讨了博物馆和民族学在越南社会主义共和国建设和转变民族认同中的作用。民族学家和博物馆已经构建,表现并重建了多种民族文化及其在现代民族叙事中的地位,因此参与了将国家从殖民地转变为现代,独立,多元的民族斗争的民族斗争。民族。在殖民时代,博物馆被用作塑造殖民地身份的方式。自1954年以来,针对法国人的成功军事行动,博物馆和人种学一直是建立国家想象力的工具,该想象力蕴含着抵抗外国侵略的历史传统以及该国成为世界上不同民族统一统一战线的愿景。领土。最近,人们已将其设想为国家文化遗产,必须面对日益全球化和向外国市场开放的情况予以保留。;尽管当今越南的博物馆通常都遵循国家叙事的总体轮廓,但一家博物馆开创了新方法以及自1997年开放以来的新故事情节。因此,河内越南民族学博物馆是这项研究的重点。尽管民族学家和博物馆学家继续与国家政策纠缠在一起,但重要的项目和个人明确表达了一些观念和价值观,与规范背道而驰。作为主要的民族志博物馆,这家国有机构既代表着民族学学科,又代表着代表该国54个民族及其文化遗产的方式。本文探讨了文化遗产的政治学,在公共场所刻写民族身份的民族学和博物馆学实践以及民族学领域本身的变化身份。它使用民族志和基于野外调查的历史方法以及对当代越南的持续参与,来查询经历快速变革的后殖民,共产主义国家的博物馆,人民和国家的交汇处。

著录项

  • 作者

    Bodemer, Margaret Barnhill.;

  • 作者单位

    University of Hawai'i at Manoa.;

  • 授予单位 University of Hawai'i at Manoa.;
  • 学科 Anthropology Cultural.;Museology.;History Asia Australia and Oceania.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 326 p.
  • 总页数 326
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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