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Book Abridgment in Eighteenth-Century England.

机译:《十八世纪英格兰的书籍荒废》。

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摘要

In the following dissertation, I examine the commercialization of abridgment and posit that the ubiquity of abridged literature challenges long-held assumptions regarding literary history, the history of reading, and the formation of the English literary canon.;It is unfortunate that so much modern scholarship tends to characterize book abridgment as subordinate to "original" authorship, dismissing it as a parasitic literary practice that feeds off legitimate literature. But the historical reality is that many of the literary texts that we write about and teach to our students are not the texts average English readers are likely to have encountered. Following the lapse of the Print Licensing Act in 1695, commercial print production surged and people across England's urban centers were confronted with a deluge of print, much of which was relatively affordable, such as broadsides, pamphlets, and daily gazettes. Books, however, remained expensive. Abridgments performed a valuable socio-cultural function by expanding access to once-expensive literature while also reducing the time investment to consume literature. Abridgments expanded access geographically, as well, because provincial and colonial American printers found a ready market for abridged texts. By 1800, roughly three times as many abridgments of Robinson Crusoe had been printed than had editions of the original, mostly by Scottish publishers operating out of Edinburgh and Glasgow. In North America, the first unabridged edition of Robinson Crusoe was not printed until 1819, whereas abridgments had been printed regularly since the 1780s. Abridgments expanded access intellectually by adapting style, form, and rhetoric for diverse audiences with varying levels of reading proficiency. The Methodist luminary John Wesley found Paradise Lost too esoteric for the average English reader, so he altered, abridged, and annotated it without breaking Milton's blank verse. Moreover, it was John Wynne's abridgment of Locke's Essay Concerning Human Understanding that was widely read by students at the universities, not Locke's original. This story is repeated time and time again, not only for novels but for historically significant works across all genres of literature. "Book Abridgment in Eighteenth-Century England" contributes new knowledge regarding the popularity of abridgment, but it also underscores the plasticity of literature, the instability of textual history, and the artificiality of the literary canon.
机译:在下面的论文中,我研究了缩写的商业化,并提出了删节文学的普遍性对长期以来关于文学史,阅读历史和英语文学经典的形成的假设提出了挑战。不幸的是,如此现代奖学金往往将书简的特征归于“原创”作者,而将其视为寄生于合法文学的文学实践。但是历史事实是,我们为学生编写和教给学生的许多文学著作不是普通英语读者可能会遇到的文学著作。随着1695年《印刷许可法》的废止,商业印刷产量激增,英格兰城市中心的人们面临大量印刷品,其中大部分相对较便宜,如宽幅面,小册子和每日宪报。但是,书籍仍然很昂贵。通过扩大对曾经昂贵的文献的访问,同时减少了花费在文学消费上的时间,消除活动发挥了重要的社会文化功能。由于省和殖民地的美国印刷商为删节后的文本找到了现成的市场,因此分词在地理上也扩大了访问范围。到1800年,印刷鲁宾逊漂流记的缩写词的数量大约是原始版本的三倍,主要是由在爱丁堡和格拉斯哥以外的苏格兰出版商发行的。在北美,《鲁滨逊漂流记》的第一本未删节的版本直到1819年才出版,而自1780年代起便定期印刷删节本。通过适应风格,形式和修辞方式的不同,阅读能力在不同水平的读者群体中得到了广泛的应用。卫理公会的杰出人物约翰·卫斯理(John Wesley)发现“天堂迷失”对于普通英语阅读者来说太深奥了,因此他在不破坏弥尔顿空白诗句的情况下对其进行了修改,删节和注释。此外,大学的学生们广泛阅读的是约翰·威恩(John Wynne)对洛克关于人类理解的论文的废除,而不是洛克的原著。这个故事一次又一次地重复出现,不仅是小说,而且是所有文学类型中具有历史意义的作品。 “十八世纪英格兰的书本废除”为有关书本流行的发展提供了新的知识,但它也突显了文学的可塑性,文本历史的不稳定性以及文学经典的人为性。

著录项

  • 作者

    Howell, Jordan.;

  • 作者单位

    University of Delaware.;

  • 授予单位 University of Delaware.;
  • 学科 Literature.;British Irish literature.
  • 学位 Ph.D.
  • 年度 2017
  • 页码 264 p.
  • 总页数 264
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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