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The Problematic Anglo-American 'Special Relationship' in Turn-of-the-Millennium British Drama.

机译:千禧一代英国戏剧中有问题的英美“特殊关系”。

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摘要

This dissertation explores the role of British playwrights during the late twentieth and early twenty-first centuries in providing a composite picture of a nation suffering a crisis of identity. This malaise, I argue, is the consequence of a triadic confluence of historical phenomena, which I figuratively depict as the interlocking rings of a Borromean knot: the precipitous loss of empire, Britain's reluctance to reconcile itself to the ensuing loss of prestige, and, at the crux of this study, the country's "special" relationship" with the United States---that is, the belief in an immutable but fallacious connection that acts as a compensatory factor to relieve the ignominy of no longer being assured a place at the international top table. I explore how a composite of plays suggests that the nature of this relationship has not only influenced foreign policy, but has permitted an unhealthy seepage of American ideology and popular culture into the fabric of British society, allowing government policies and cultural practices to be adopted that are intrinsic to American culture, but rests less easily with a British cultural tradition that since World War II has valued social solidarity and a prioritized the community over the individual.;The plays under discussion are stylistically varied. They span the epic history and verbatim plays of Howard Brenton, David Hare and Gregory Burke, and include the highly performative work of Caryl Churchill. They point to the politics in the comic agony of Harold Pinter's gnomic plays, in the satiric farce of Alan Ayckbourn, and in the iconoclastic brutality of the in-yer-face plays of the 1990's. I place them all under the banner of state-of-nation drama, in that, with the versatility of theatrical art, they mirror the nation's situation, one fraught with paradox, ambiguity and complexity. This study proposes that recent British theater, both directly and indirectly, conveys the message that a healthier national identity is called for---one that relies less on the "special relationship" and focuses more on values consonant with Britain's inherent character.
机译:本论文探讨了英国剧作家在二十世纪末至二十一世纪初所扮演的角色,它提供了一个遭受身份危机的国家的综合图景。我认为,这种不适是历史现象三合一融合的结果,我将其形象地描绘为一个鲍罗密欧结的环环相扣:帝国的急剧丧失,英国不愿与随之而来的声望丧失和解,以及,在这项研究的关键点上,该国与美国的“特殊”关系-即对不变但谬误的联系的信念,可作为一种补偿性因素,以减轻不再确保在某处享有地位的不知名感。我探讨了戏剧的综合如何表明这种关系的性质不仅影响了外交政策,而且使美国意识形态和大众文化不健康地渗入了英国社会的结构,从而允许了政府的政策和文化美国文化固有的习俗,但不容易接受自第二次世界大战以来重视社会地位的英国文化传统胆大和社区优先于个人。;正在讨论的戏剧在风格上是多种多样的。他们涵盖了霍华德·布伦顿,大卫·黑尔和格雷戈里·伯克的史诗般的历史和逐字剧,还包括卡里尔·丘吉尔的出色表演。他们指出了哈罗德·品特(Harold Pinter)的基因组戏剧的喜剧性痛苦,艾伦·艾克本(Alan Ayckbourn)讽刺的闹剧以及1990年代面对面的戏剧性的残酷暴行中的政治。我把它们全都放在国家戏剧的旗帜下,因为戏剧艺术的多功能性,它们反映了国家的状况,其中充满了悖论,模糊和复杂性。这项研究提出,最近的英国戏剧直接或间接地传达出这样一个信息,即要求人们拥有更健康的民族身份-这种身份较少依赖“特殊关系”,而更多地关注与英国固有性格相符的价值观。

著录项

  • 作者

    Saunders, Judith.;

  • 作者单位

    Indiana University of Pennsylvania.;

  • 授予单位 Indiana University of Pennsylvania.;
  • 学科 British Irish literature.;Theater.
  • 学位 Ph.D.
  • 年度 2017
  • 页码 207 p.
  • 总页数 207
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 宗教;
  • 关键词

  • 入库时间 2022-08-17 11:54:14

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